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Permanent Exhibitions
Artistic Inclusion of the East and West: Apprentice to Master
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Historical Pictures Gallery (3/F)
Until 2013.6.9

Chinese export painting is the name given to a particular genre of painting produced in large quantities in Guangzhou in the 18th and 19th centuries, during the time when foreign trade flourished and foreign merchants from all over the world converged in the city. Produced by Chinese artists to meet the demand for a taste of China, its life, its customs and its landscape in the West, Chinese export paintings were mostly executed in the Western media by employing Western techniques. The effect of Western aesthetic qualities is demonstrated in many of the extant examples. This exhibition attempts to study the role Western art traditions play in Chinese export painting through a display of export paintings alongside with works by Western artists, particularly those who had been to China.

The exhibition features some 50 sets of oil paintings, gouaches, watercolours, sketches and prints selected mostly from the Historical Pictures collection, among them works created by important travelling or expatriate artists such as Thomas and William Daniell, Auguste Borget, Marciano Baptista and George Chinnery, as well as household names of Chinese export paintings such as Spoilum, Tingqua and Lamqua.

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An album showing the production of silk
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Anonymous
An album showing the production of silk
1833
Chinese ink and colour on paper, an album of 23 leaves (image19)

Cruising the Universe: Fantastic Animals in the Arts of China
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Liu Hai with a toad, Shiwan ware

Liu Chuan (1916 – 2000)
Liu Hai with a toad, Shiwan ware
Potter's seal of "Wanxi Liu Chuan"
Early 20th century
Donated by Mr Woo Kam-chiu

Chinese Antiquities Gallery (1) (3/F)

This exhibition has on display around 180 objects from the collection of the Hong Kong Museum of Art. They comprise either representations of animals or objects bearing animal motifs. These include dragons and phoenixes as symbols of power and prestige; bats in rebus form for good fortune; the bixie, believed to ward off evil; and vivid representations of domestic animals such as cats, chickens and sheep. Through the ceramics, jade, stone, wood and bamboo carvings, glassware and metalwork on display, we hope to examine and present the organic evolution of animal representations in and through Chinese traditional arts and crafts, customs, religious rituals, myths, legends and intellectual culture.

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Gems of Chinese Ceramics from the Hong Kong Museum of Art
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Chinese Antiquities Gallery (1) (3/F)
Until 2013.5.26

This exhibition intends to provide an overview of Chinese ceramics from ancient times to the Qing dynasty by showcasing priceless examples from the Museum's ceramics collection.

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Bowl with four paper-cut phoenixes in black glaze, Jizhou ware

Bowl with four paper-cut phoenixes in black glaze, Jizhou ware
Southern Song (1127 – 1279)
Donated by
Mr and Mrs Kwok Sau-po

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