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Guo Wenjing's Opera Poet Li Bai
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4 & 6 December 2009 (Fri & Sun) 7:30pm Grand Theatre, Hong Kong Cultural Centre
Tickets: $600, 480, 320, 200, 120
‘…It marries the native poetic…to western instrumentation and vocal delivery in a way that remains instinctively Chinese. Its potential has been brilliantly showcased.’ Financial Times
‘It’s his (Guo Wenjing's) greatest success and the most amiable masterpiece after Night Banquet.’ Yazhou Zhoukan
‘…Masterpiece of a chamber opera deserves global circulation.’ Opera Magazine | | | | |  | | View Trailer | | | | | | | | | | |
An Opera in 5 Acts
Performed in Putonghua with Chinese and English Surtitles
A production of Asian Performing Arts of Colorado
Music: Guo Wenjing
Libretto: Diana Liao & Xu Ying
Director: Lin Zhaohua
Organized by Opera Hong Kong | | | | | | Performers |
| | | | | | Synopsis | |
Confined to a houseboat in a bleak and forlorn back country, Li Bai, the exiled poet has only Wine to share his ramblings on this beautiful moonlit night. Wine announces that he is running out of wine and needs to sell some poems for money. Li Bai proudly recites a few of his famous lines but Wine rejects them all, insisting on poems of flattery since they are easier to sell. The poet is offended. Wine then asks for his tattered gown, a gift from the Emperor in better days. The poet flies into a rage and pushes Wine into the river. Li Bai’s tirade against men of power is so beautiful that Wine hauls himself back on board to grab the words for safekeeping. Li Bai laments that only Wine appreciates him and his poetry.
At this moment, a voice from heaven is heard reciting Li Bai’s poetry, sending the startled Li Bai and Wine into a frantic search. After taunting them with more lines of Li Bai’s poems, Moon finally reveals herself in all her splendour. Poet and Wine are speechless. Sweetly but firmly Moon tells Li Bai the purpose of her surprise visit: to bring the exiled poet back to heaven where he belongs. Enamoured with her ethereal beauty, Li Bai hastens to impress her with his past glories.
Poet and Wine recount with relish their scenes of glory in the Tang imperial palace, where the all powerful eunuch helps remove Li Bai’s boots, the Emperor’s favourite concubine prepares his ink and the Emperor personally presents him with a royal gown. His poetic flourishes delight all and sundry and he is hailed as the Immortal Poet.
Li Bai’s carefree and careless life style lands him in trouble. A magistrate, who used to be a close friend of the poet’s, orders Li Bai to be severely flogged for siding with the wrong political party. Li Bai pleads innocence, to no avail. He is flogged.
Li Bai, disillusioned with his desire to serve his country, wonders why a man like him could end up in such a sorry state. True to form, his frustrations soon give way to an outburst of defiance and exuberance. But just as quickly, his euphoria dissolves into tears. Moon watches on the side painfully. Again she invites him gently to abandon all these mundane pursuits and go back with her to heaven where he truly belongs. A fabulous scene of heaven opens before their eyes and Li Bai is charmed. He follows Moon as in a trance. Wine screams as Li Bai follows the reflection of the Moon into the water. | | | | | | Biographies of Artistic Personnel and Cast | |
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Guo Wenjing |
Composer |
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Guo Wenjing is currently a professor at the Composition Department of Central Conservatory of Music in Beijing, China. He has been honoured among the Top 100 Living Artists of China. He was acclaimed by the New York Times as 'the only world-renowned Chinese musician who never settled down in a foreign country.' His works have been featured at festivals all over the world. His Shu Dao Nan (Hard are the ways of Sichuan) (1987), a symphonic poem with voices, was selected as the official People’s Music Publishing House’s part of series 'Twentieth-Century Distinguished Chinese Classics'. He has also scored for more than 40 feature films and TV series, including Riding Alone for Thousands of Miles directed by Zhang Yimou, In the Heat of the Sun directed by Jiang Wen, Qi Wang directed by Teng Wenji, etc.
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Diana Liao |
Librettist |
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Born and educated in Hong Kong, Diana Liao graduated from The University of Hong Kong, where she majored in comparative literature and translation, followed by postgraduate studies in journalism at the Université de Paris V in France. Passionate for Chinese and English literature, then branching out to French, Russian, Spanish and most recently to Italian, she divided her 32 years in New York between working as a simultaneous interpreter at the United Nations during the day and writing at night. Her works include collaborations with composer Tan Dun. She also worked closely with the playwright Xu Ying to produce the bilingual opera Wenji (2001) with music by Bun Ching Lam, Poet Li Bai by Guo Wenjing, and did the English translation for Ang Lee’s Lust, Caution (2007). She has recently finished writing the libretto for the opera Matteo Ricci which will be premiered in Hong Kong in 2010. |
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Xu Ying |
Librettist |
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After graduation from the Department of Playwriting of the Academy of Chinese Traditional Opera in Beijing, Xu Ying joined the China National Opera and Dance Theatre as a playwright since 1991. In 1998, he was invited to visit America for cultural exchange, and was invited to be the Adjunct Professor of the World Cultural Art Center of UCLA, where he also shared his vast knowledge of the theory of traditional Chinese opera in a series of lectures. His operatic works have been featured at festivals all over the world and have made him one of the most authoritative literary figures on performing arts in China. His major works include Wenji (composer Bun Ching Lam), Tea: A Mirror of Soul (co-librettist and composer Tan Dun) and Poet Li Bai (composer Guo Wenjing). |
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Lin Zhaohua |
Director |
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Lin Zhaohua has been a Vice President of the Beijing People’s Art Theatre, a visiting professor at the Central Drama School, and a permanent member of the Association of Chinese Playwrights. He currently heads the Theatre Research Institute at Peking University, in addition to his work at the Beijing People’s Art Theatre. He has directed more than 60 plays. Lin wholeheartedly explored future dramatic possibilities through his 'Omnipotent Theatre', established in collaboration with Gao Xingjian in the early 80s. Lin’s important works include Wildman, Uncle Doggie’s Nirvana, Hamlet, Faust, Richard III, opera Night Banquet and Wolf Cub Village. |
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Yi Liming |
Costumes/sets/Lighting Design |
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Yi Liming graduated from the Department of stage Art of Beijing’s Central Academy of Drama. He is currently stage designer of the Beijing People’s Art Theatre. Since 1989, he has designed stage sets or lighting for more than 100 plays in China and abroad. Among his major set and lighting designs were Guo Wenjing’s Night Banquet at the Paris Autumn Festival, 2001 and Perth International Arts Festival, Lincoln Center Festival, 2002, Stephen Merritt’s Orphan of Zhao at 2003 Lincoln Center Festival, etc. |
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Yip Wing-sie |
Conductor |
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A highly respected and influential figure in Asia’s orchestral music scene, Yip Wing-sie has been the Music Director of the Hong Kong Sinfonietta since 2002 and is also the Principal Guest Conductor at the Guangzhou Symphony Orchestra. Winner of the First Prize as well as ‘LYRE d’OR’ in the 35th Concours International de Jeunes Chefs d’Orchestre de Besançon, France in 1985 and a prizewinner in the 8th Tokyo International Conducting Competition in 1988, she is in great demand as a guest conductor in Asia. She has conducted at such prestigious venues as the Vienna Musikverein (Grossersaal) and the National Philharmonic Hall in Warsaw, collaborated with renowned artists including Augustin Dumay, Fou Ts’ong and Zukerman and led the Hong Kong Sinfonietta on tour to various cities in Europe, Japan and the Mainland. She was bestowed ‘Chevalier de l’Ordre des Arts et des Lettres’ by the Ministry of Culture and Communication of France in 2007. |
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Tang Junqiao |
Dizi Soloist |
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Tang Junqiao is one of the most outstanding young dizi performers in the Mainland. She is now the lead dizi performer with the Shanghai National Music Orchestra. Tang's performances are excellent, skillful and comfortable to listen to. She was invited to record the dizi solo part in Crouching Tiger Hidden Dragon which was directed by Ang Lee with soundtrack composed by Tan Dun. She also performs with a lot of famous orchestras all around the world.
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Tian Haojiang |
Bass |
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Tian Haojiang, who has performed in over 40 operas with 30 opera houses worldwide, is a Chinese-born opera singer of the Metropolitan Opera. He has sung with renowned singers Luciano Pavarotti and Plácido Domingo for eleven operas. His current engagements include Turandot at the Metropolitan Opera and at the Bird’s Nest Olympic Stadium in Beijing, a new production directed by Zhang Yimou, Macbeth at Opera Santa Barbara and Fresno Grand Opera and Aïda at San Francisco Opera. He was nominated as a Principal Soloist for the 51st Grammy Award (2008) for Best Opera Recording of Tan Dun’s The First Emperor. His English autobiography Along the Roaring River: My Wild Ride from Mao to the Met, published in 2008, is a Lincoln Center Book.
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Zhou Xiaolin |
Soprano |
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A graduate of Central Conservatory of Music in 2006, Zhou Xiaolin is at present a singer of the Zhong Zheng Song and Dance Ensemble. She participated in the productions of operas Madama Butterfly and Aïda, she was chosen to join the production of La Bohème, under the baton of Maestro Seiji Osawa who led a tour of this production in five major cities in Japan. In 2008, conducted by Vladimir Ashkenazy, she sang as the soprano in Mahler’s Symphony No. 2. She was a winner of the New Voice International Competition in Germany. She also won the first prize in the China Music Golden Bell Voice Competition, the most prestigious competition in China. |
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Chi Liming |
Tenor |
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Honoured as a First Class Performing Artist of China and as a soloist at the Shanghai Opera House, Chi Liming was acclaimed by the media in Europe and U.S. as 'the most talented world-class tenor' and 'a real Italian singer'. In 2005, he made his debut playing leading roles in Virginia Opera’s Roméo et Juliette and Turandot, and sang in a solo concert at the Concert Hall of The Shepherd School of Music. Other performances include Tosca, La Bohème, Carmen, Madama Butterfly, etc. |
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Jiang Qihu |
Peking Opera Tenor |
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Jiang Qihu is a National First Class artist in China. Belonging to the Ye school (his teacher was Ye Shaolan), Jiang has performed around the globe. He is most noted as an actor able to perfect both military and scholarly roles, with a voice that is not only wide-ranging but also immensely agile. He is the winner of the Mei Lan Fang Gold Award in 1993. His important traditional repertoire includes Bai She Zhuan (Legend of the White Snake), Yu Tang Chun (Jade Pavilion) and Night Banquet, etc. |
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| | | | | | | Programme Length | Running time of each performance is about 1 hour and 30 minutes with no intermission.
Audiences are strongly advised to arrive punctually. No latecomers will be admitted until a suitable break in the programme. | | | | | | Ticketing and concession | Tickets available from 6 October onwards at all URBTIX outlets
Half-price tickets available for senior citizens aged 60 or above, people with disabilities, full-time students and Comprehensive Social Security Assistance (CSSA) recipients (Limited tickets for CSSA recipients available on a first-come-first-served basis)
Group Booking Discount
10% off for each purchase of 10-19 tickets
15% off for each purchase of 20 or more tickets
Patrons can enjoy only one of the above discount schemes for each purchase. Please inform the box office staff at the time of purchase. | | | | | | Pre-performance Activities | Forum on the Opera Poet Li Bai
From Mao to the Met
Opera Singer Hao Jiang Tian Lecture Recital
Pre-performance Talks
The Making of Opera Poet Li Bai
| | | | | | Enquiries |
The content of this programme does not represent the views of the Leisure and Cultural Services Department. | | | | |  | |
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