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"Being Gidon Kremer – The Rise and Fall of the Classical Musician"
 
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“Igudesman and Joo are not only musical virtuosi but also comic maestros. Any thing they touch turns to gold and I am enchanted by them every time I see them. Definitely one of the funniest and most entertaining shows I have ever seen and I can't wait to see them again in action!" – Mischa Maisky, cellist

"Two top class musicians  (Igudesman & Joo) and perhaps the best entertainers I've ever seen. I laugh my head off every time I see them, at the same time as being touched by their wonderful musicianship. They got me, I'm a fan!" – Julian Rachlin, violinist

 
 
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14 November 2009 (Sat) 8pm

Auditorium, Tsuen Wan Town Hall

Tickets: $380, $280, $180, $100
 
 
Performers

Violin: Gidon Kremer

Violin & Piano Duo: Aleksey Igudesman & Richard Hyung-Ki Joo

Kremerata Baltica

 
 
Programme

Being Gidon Kremer – “The Rise and Fall of the Classical Musician”

 

Gidon Kremer has found a most unlikely partner-hood in the virtuoso music & comedy duo Igudesman & Joo, who themselves achieved a vast popularity through having 15 million hits to date on the Internet forum Youtube. Together with them he takes the audience on a voyage through absurdly real and made up episodes of a musician’s life.

 

The story begins at school and proceeds to the class room, with a teacher who forces his pupils into cross-over, making the entire Kremerata orchestra do Irish dance and turning Bach into Piazzolla. It ends up in the recording studio, where an over-enthusiastic record producer terrorizes the artists with his marketing ideas.

 

BEING GIDON KREMER takes a critical and entertaining look at classical music through a magnifying glass. By means of this close-up, we hope to achieve a healthy distance from all forms of commercial “dumbing-down”. These are among the composers whose masterpieces, or bits of them, you will hear: Bach, Chaplin, Dvorak, Dunayevski, Haydn, Igudesman, Joo, Kupkovic, Mahler, Mozart, Piazzolla, Prokofiev, Rochberg, Rota, Schnittke, Shostakovich, J. Strauss.

 
 

Gidon Kremer

Violin

Throughout his childhood, Kremer practised endlessly, following his father’s advice to be “ten times better than everyone else”. Kremer studied with the amazing, incredible, unique, hugely talented, and enormously famous violinist, David Oistrakh. Oistrakh won the Queen Elisabeth of Belgium Competition in 1937, sealing his pole position as the number one ranked Soviet violinist of all time. His star pupil, Kremer, did not lose too many competitions and was lucky enough to win the Paganini and Tchaikovsky international competitions, but only by a total fluke.

Here, in alphabetical order, are a few of the approximately 365 conductors he has worked with: Abbado, Bernstein, Commissiona, Dudamel, Eschenbach, Fedosejev, Giulini, Harnoncourt, Iwaki, Jansons, Kondrashin, Levine, Muti, Nelson, Ozawa, Petrenko, Quasimodo, Rattle, Sanderling, Temirkanov, Urbini, Von Karajan, Xylophopulus, Yadyh and Zecchi.

Since Kremer never thought much of playing the same 10 mainstream violin concertos over and over all his life, he has consistently championed the cause of new talent and has given countless world premieres of works by composers such as Schnittke, Pärt, Piazzolla, Nono, Kancheli, Gubaidulina, Glass, Desyatnikov, and Adams.

 

Earning a special reputation as “a special artist for special people”, he has recorded approximately 1,000,000 CD’s, (according to his last count in his head), several of which have picked up important (Grandma) and not so important (Grammy) awards. The decision to never conduct, taken at the age of seven, led him, in 1997, to found the Kremerata Baltica, an ensemble that performs for the most part without a conductor.

 

Recently, Kremer, has fallen in love again.  He travels the world with his Italian beloved model, Nicolo Amati, (born in 1641).

Aleksey Igudesman

Violin

Aleksey Igudesman was born in Leningrad at a very young age and later went to the Yehudi Menuhin School.  After studying with Boris Kuschnir at the Vienna Conservatoire and being told many times by many people that they were rather worried about his future, he embarked on a successful career playing, composing, and arranging for his string trio, Triology. They recorded several CD’s for BMG, worked in Hollywood with Academy Award winner Hans Zimmer, and performed with McFerrin, Rachlin, Jansen, and other people who are less famous, but just as great.

 

Back at school he met his “Igudesman & Joo” partner, Richard Hyung-ki Joo. This in turn led to collaboration over many years, which culminated in the creation of A Little Nightmare Music, a show they tour together making people laugh.

 

After Kremer heard them several times, he wanted to join in the fun, so to speak, and asked them if they would like to do something together.

 

Igudesman plays a Santo Seraphin 1917 violin, kindly loaned to him by ERSTE Bank.

 

Richard Hyung-ki Joo

Piano

Richard Hyung-ki Joo is British, but looks Korean, or the other way around, or both. He started piano lessons at the age of eight and a half and two years later won a place at the Yehudi Menuhin School. There, he discovered that he was among geniuses and child prodigies, and was convinced he would be kicked out of school, year after year. In fact, he was not kicked “out” but kicked “around” by teachers and fellow students, such as Igudesman. After these painful experiences, Joo invented a new type of piano playing known as ‘Karate Piano’. No matter how difficult his years at the school may have been, it only strengthened his love of music, and he also realised that the world of classical music had little to do with the spirit in which the music was created and began dreaming of a way to bring this great music to a wider and newer audience-a dream which has recently been realised through his show: A Little Nightmare Music.

Kremerata Baltica

In 1997, Gidon Kremer founded the Kremerata Baltica chamber orchestra and, ever since, became a major sponsor and manager of the group. To everyone’s surprise, he still managed to fulfil his artistic duties, which were often at risk due to his administrative pre-occupation.  The Kremerata Baltica, or KB for short, has performed all over the world, except for Antartica and a few countries that include Namibia, North Korea, and French Guyana.

 

In spite of some changes in the group since its inception, KB remains a young orchestra. Thanks to the addition of several new members, and definitely not counting the age of its artistic director, the average age is only 28. The group is permanent and gives around 60 concerts a year. In spite of rumours of a classical music business world crisis, KB records for a number of record labels, even winning the coveted Grammy award for the album, After Mozart, in 2002.  Due to KB’s recording output, KB became a household name for all those who cherish silence, while some less adventurous listeners may find solace in KB’s next release: The 5 Mozart Violin Concertos, recorded live with Gidon Kremer in a marathon event.

 
 
Programme Length

Running time of this performance is about 2 hours with an intermission of 20 minutes.

 

Audience are strongly advised to arrive punctually. No latecomers will be admitted until the interval or a suitable break in the programme. 

Pre-concert Talk (Conducted in Cantonese)

Speaker:

Albert Ho

 

Lecturer of The Hong Kong Academy for Performing Arts

 

Kremer's Musical Art and Humour

20 October 2009 (Tue) 7:30pm

Room AC1, 4/F, Administration Building, Hong Kong Cultural Centre

 

Free admission on a first-come-first-served basis.

 
 
Ticketing and Concession

Tickets available from 18 Sept onwards at all URBTIX outlets

 

Half-price tickets available for senior citizens aged 60 or above, people with disabilities, full-time students and Comprehensive Social Security Assistance (CSSA) recipients (Limited tickets for CSSA recipients available on a first-come-first-served basis)

10% discount for every purchase of 4-9 standard tickets; 15% for 10-19 standard tickets ; 20% for 20 or more standard tickets

10% discount for every purchase of standard tickets for both concerts “Gidon Kremer & Kremerata Baltica” and “Being Gidon Kremer –The Rise and Fall of the Classical Musician”

 

Patrons can enjoy one of the above discount schemes for each purchase.  Please inform the box office staff at the time of purchase.

 

Another programme of Kremerata Baltica – Gidon Kremer & Kremerata Baltica

 
 
Graphical Trailer

Programme commemorating the 20th Anniversary of the Hong Kong Cultural Centre