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Multi-Media Lecture Series: Parallel Audiosphere
 
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On different approaches to music & sound creation

 

25-26 July 2009 (Sat-Sun) 3:30pm
Exhibition Gallery, Hong Kong Cultural Centre

1-2 August 2009 (Sat-Sun) 3:30pm
9 August 2009 (Sun) 3:30pm
Gallery, HKICC Lee Shau Kee School of Creativity

$50 for each lecture

Temporary Closure of Subway Access to the Hong Kong Cultural Centre

 
 
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Programme Details

Different approaches for different kinds of sound
From their own spheres of creation, to sound, music and art that influence them
Guiding you to a new horizon of listening experience and perspective

Host: Yuen Chi-chung

Sphere 1
In Sync – Exploration on audio visual collaboration
S.T. (Choi Sa-ho) 
25.7.2009 (Sat) (In Cantonese)

When every music performance using video projection as their backdrop nowadays, what possibilities between audio and visual could be further explored? To trace back from the beginning of the audio-visual collaboration, music video and the first concert applying slide-projection, to the popularity of VJing, and the multi-media audio-visual live performance, the lecture will discuss about the evolvement of the audio and visual in integration and collaboration. S.T. will talk about how he got inspired and introduces his beloved audio-visual works.

Sphere 2
Sonic Alchemy
- Releasing unusual sounds from usual objects
Sin:Ned (Wong Chung-fai)
26.7.2009 (Sun)  (In Cantonese)

It brings no surprise in hearing sounds from a cell phone, a Gameboy or a radio. However, can you imagine the sound comes from a remote control or an Apple mouse? By hacking on various electronic gears, Sin:Ned revealed new sounds for his music composition. Through re-purposing various daily objects, he will further discuss about how other artists use conventional musical instruments and equipment for alternative music performances.

Sphere 3
More than Music, Not Just Theatre
– Finding new possibilities in connection between music and theatre
Kung Chi-shing
1.8.2009 (Sat)  (In Cantonese)

Apart from classical operas and Broadway musicals, music has been integrated with theatre in various formats for decades. In the last 30 years, music theatre has emerged as one of the major genres in avant-garde performing arts, with its capacity to integrate music with diverse elements such as dance, poetry and text, video and installation, etc.. By introducing major music theatre works of pioneering artists such as Robert Wilson and Laurie Anderson, he will analyze the development of avant-garde music theatre, and share his own practice and approach of bridging different kinds of music with theatre performances.

Sphere 4
Sonic Fascination
- Expanding the canvas for music composition
Yuen Cheuk-wa
2.8.2009 (Sun)  (In Cantonese)

Music and recording technology has driven a lot of changes in pop and contemporary music. Unconventional approaches or inventive ways of using the technicality of sound technology have achieved some sonic excitement that influences the history of music evolution.

Sphere 5
Ways of Listening
- Environmental sound and our relation to the sonic world
Cedric Maridet
9.8.2009 (Sun)  (In English, with Cantonese narration by the host)

From city to nature, we are in a world of no silence. There is always sound that left unnoticed. Field recording can be a means to change our way of listening to the environmental sound, our experience and perception to the world, and even brings exciting discovery to our most familiar surrounding. Cedric Maridet will introduce his practice of field recording as a way to direct his listening and discuss how sonic experience can open up the possibility for art making. He will refer to audio examples from different genres of sound art, oral traditions, etc., as well as his own works.

 
 
Details of Host and Speakers

Yuen Chi-Chung
Yuen Chi-Chung started his music critic career since 1987. He is the founder of legendary Hong Kong independent music magazine - Music Colony Bi-weekly (1994-2004). He has been writing for several magazines and newspapers on a wide range of artists and musical genres.

S.T. (Choi Sai-ho)
S.T. (Choi Sai-ho) is an electronica musician and audio-visual artist. He received classical music training and obtained professional qualification from Trinity (associate recital in violin). He has obtained Master of Fine Arts in Creative Media at the City University of Hong Kong in 2008. His music/audio works cover different types of music genres including electronica, downtempo, intelligent dance music (IDM), avant-garde, experimental, etc.. His works have been selected in many international festivals. He was selected as the Hong Kong’s Top 20 Musicians by Hong Kong Time-Out Magazine in 2008.

Sin:Ned (Wong Chung-fai)
Sin:Ned (Wong Chung-fai) is an idiosyncratic music critic and a sonic artist. He spends much of his time hacking and sculpting sonic materials with his laptop and various electronic gears.  He is the contributing writer of Hong Kong alternative music magazine Music Colony Bi-Weekly. His interest ranges widely from improvisation, sound art, experimental music, noise art to field recordings. His first two solo works, Uroborus: A Study on No-input Device and 60 Seconds: A Schizophrenic Manual for Eternity, were released in 2006. He is member of No One Pulse and laptop trio iii, and co-founder of the experimental label Re-Records.

Kung Chi-shing
Studied classical music and composition in the United States with Allen Trubitt and George Crumb. In 1987, he was appointed as Head of the music programme of the Dance Department, Hong Kong Academy for Performing Arts. He formed the Hong Kong-based music and performance group THE BOX with Peter Suart in 1987. His own productions include: Destiny Travels Limited, Floating Bridge, The Private Life, City Inside a Broken Sky, M Garden and Blue Beard Castle. He creates and performs his own style of music which blends idioms from classical, experimental and pop forms and utilizing Western, Asian and electronic instruments.

Yuen Cheuk-wa
Obtained his Bachelor of Fine Arts (1st class honours)  from the Hong Kong Academy for Performing Arts, majoring in Theatre Sound Design and Music Recording. He continued his study in the United States and received Master of Fine Arts in Sound Design at the California Institute of The Arts, and Master of Science in Architectural Acoustics at the Rensselaer Polytechnic Institute. He was commissioned by the Hong Kong Arts Festival to create a multi-media concert - Primary Shapes: an Eternal Golden Braid in 2009. His works encompass theatre sound design, music production, sound art installation and acoustical research on theatre acoustics and performer's auditory perception. He is currently an Artist-in-Residence at the Hong Kong Academy for Performing Arts.

Cedric Maridet
Was born in France. He has been living in Hong Kong since 1999 and is currently a Doctoral candidate and part-time Lecturer at the School of Creative Media, City University of Hong Kong. He founded Hong Kong based sound label monème as the main platform to release his work in 2004. He has participated in performances and exhibitions locally and internationally, and was awarded Prize of Excellence in the Hong Kong Art Biennial 2005 with his video Huangpu. His works focus on field recordings, the construction of altered sonorous spaces, networked sound, audio-vision, sonic architecture, and the heterogeneity of listening.

 
 
Programme Length

Each lecture lasts for about 2 hours

 
 
Ticketing and concession

Tickets available from 16 June onwards at URBTIX outlets

* Half-price tickets available for senior citizens aged 60 or above, people with disabilities, full-time students and Comprehensive Social Security Assistance (CSSA) recipients (Limited tickets for Students and CSSA recipients available on a first-come-first-served basis). Concessionary ticket holders must produce evidence of their identity or age upon admission

*Special Booking Discount
10% off for each purchase of 3 different lectures;
15% off for each purchase of 4 different lectures;
20% off for each purchase of 5 different lectures

*Each ticket admits one person only. Patrons can enjoy only one of the above discount schemes for each purchase.

 
 
Enquiries

Ticketing Enquiries & Reservations: 2734 9009
Credit Card Telephone Booking: 2111 5999
Internet booking: www.urbtix.hk
Programme Enquiries: 2268 7323

Best for audiences of ages 6 and above

Audiences are strongly advised to arrive punctually. No latecomers will be admitted until a suitable break in the programme

The contents of this programme do not represent the views of the Leisure and Cultural Services Department

The presenter reserves the right to substitute artist and change the programme should unavoidable circumstances make it necessary

Presented by the Leisure and Cultural Services Department
Organized by orleanlaiproject

 
 
Other programmes in the Boundless Multi-Media Series:

The Great War by Hotel Modern (The Netherlands), Age of Wilderness by Shu Ning Presentation Unit, Olotila (State of Being) by Public Artistic Affairs (Finland), and Electric Reqiuem: God Save the Queen by Samson Young & musicians of City Chamber Orchestra of Hong Kong. Please refer to series booklet and individual programme leaflets for details.

 
 
Map of HKICC Lee Shau Kee School of Creativity
 
 
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