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Zhu Shilin: A Filmmaker of His Times
Throughout his film career, Zhu Shilin (1899-1967) did not resign himself to drifting with the tide, but stayed true to his passion and tactfully rode out the turbulent waves of history with unflagging perseverance. He, somewhat like a miracle, made himself a genuine auteur rarely found in Chinese cinema, reflecting both past and present, tradition and modernity. Back in his times, his works might have not been 'progressive' enough, but when seen today, they continue to charm while finding their way deep into the core of the Chinese psyche.
The book contains essays on the art and historical path of Zhu Shilin by reputed scholars and writers, plus interviews with Zhu's children and protégé Cen Fan. 256 pages in total. Published in March 2008. In separate Chinese and English editions. Priced at HK$118. (Edited by Wong Ain-ling)
Chinese edition: ISBN 962-8050-45-1
English edition: ISBN 962-8050-46-X
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Collective Memories in Movie Posters
Delicate and cherished collective memories of Hong Kong cinema preserved in a 366-page desktop calendar, which contains the finest selection of film posters in the HKFA collection, and memorable quotes penned by prominent film critics and scholars, including Law Kar, Michael Lam, Li Cheuk-to, Neco Lo, Keeto Lam, William Cheung and Wong Ain-ling. A collector's gem and a must for the true film buff!
Printed in full colour, bilingual in Chinese and English, published in 2007, priced at HK$105. (Edited by Winnie Fu)
ISBN 962-8050-43-5
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Oral History Series
The 'Oral History Project' undertaken by our Research Section is a documentation of interviews with Hong Kong film veterans by means of digital and A/V technology, which serves as the basis for further researches and thematic publications. The 'Oral History Series' contains also precious photos and filmographies of individual filmmakers.
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Oral History Series (4): Director Wong Tin-lam (In Chinese)
Wizard-director Wong Tin-lam has worked in a wide variety of genres throughout his career. Cantonese martial arts fantasy and folktale were the mainstays of his early works, but it was his contemporary films, particularly the musical, light comedy and melodrama he directed for Hsin Hwa, MP & GI/Cathay in the 1950s and 60s, that came to be recognised as his real gems. Wong joined the TV industry in the 1970s, poised to write a new chapter of his remarkable career as a trendsetter in this infant business. In addition to his own accounts of yesteryears, the meetings with his son Wong Jing and protégés David Lam, Ringo Lam and Johnnie To have documented the lineage tracing back to the master himself. The monograph also publishes a collection of his column that ran in T.V. Week in the 1970s and 80s. Offering personal anecdotes and hard-to-find records of post-war Hong Kong cinema, the monograph promises to be a fun read.
264 pages in total. Published in November 2007. Priced at HK$110. (Edited by Wong Ain-ling and Angel Shing)
ISBN 962-8050-44-3
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Oral History Series (3): Director Chor Yuen
A multi-talented film veteran whose presence remains strongly felt all along his 30-year career, Chor Yuen has opened up exciting vistas in Hong Kong cinema. Social realism in The Great Devotion (1960), melodramatic idealism in Rose in Tears (1963), witty exploits in The Black Rose (1965), ingenious farce in The Pregnant Maiden (1968), erotic mystery in Intimate Confessions of a Chinese Courtesan (1972), knightly romance in the lucrative Gu Long adaptations-a truly kaleidoscopic oeuvre embracing virtually many genres. Adding to the director's recollection of his days from Kong Ngee to Shaws are reviews and his complete filmography. Published in 2006. Priced at HK$95 for English edition; HK$70 for Chinese edition. (Edited by Grace Ng and Kwok Ching-ling)
Chinese edition: ISBN 962-8050-34-6
English edition: ISBN 962-8050-35-4
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Oral History Series (2): An Age of Idealism: Great Wall &
Feng Huang Days
Interviews with nine film veterans who joined Great Wall or Feng Huang
film companies in the 1950s tell the saga of how a group of filmmakers
labelled left-wingers at the time, realised the ideals and expectations
that they had of their country and societal developments in the course
of momentous historical changes. The Chapter 'Filmdom Anecdotes' written
by George Shen contains detailed information on Yuen Yang-an, a key
figure of early Great Wall days. 416 page with over a hundred precious
photos. Bilingual in Chinese and English. Published in 2001, priced
at HK$120. (Edited by Wong Ain-ling)
ISBN 962-8050-14-1
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Oral History Series (1): Hong Kong Here I come
Eight veterans of the Hong Kong and Chinese film industries, telling
film history as they see if from the early days of the 30s and 40s
in the Mainland to their migration to Hong Kong.
The eight veterans are actresses Chin Tsi-ang and Li Lihua, actor/director
Lo Dun, director Yue Feng and Wu Pang, cinematographer Ho Look-ying,
producer Tong Yuejuan and screenwriter/lyricist Chen Dieyi. Bilingual
in Chinese and English. Published in 2000, priced at $75. (Edited
by Kwok Ching-ling)
ISBN 962-8050-07-9
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Hong
Kong Filmography Series
The 'Hong Kong Filmography Series' is an attempt to chronicle some
ninety years of Hong Kong cinema and history in a series of publications
providing key information such as the genre, language, production
companies, cast and crew, quotes from the director, illustrated by
precious stills. A complete film list and indices are also appended.
Six volumes of the Filmographies have already been released, featuring
over 5,000 fiction films and documentaries produced between 1913 and
1969.
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Hong
Kong Filmography Volume VI
(1965-1969) (In Chinese)
Up until the mid-to-late 1960s, going to the movies was still the most staple entertainment for the general public. Despite the social unrest caused by mass riots in 1967, Hong Kong's film industry made a swift recovery, and treating the audience to the delights of widescreen cinema in glorious colour. With the establishment of its own colour processing workshop, Shaw Brothers (Hong Kong) Ltd. went from strength to strength, and consolidated the dominance of Mandarin films in the market. By contrast, Cantonese films were lagging behind with new social trends and taste. In the midst of drastic downsizing of productions, some dedicated Cantonese film veterans took their vocation even more seriously, and came up with meticulously crafted works. However, for practical reasons, the Hong Kong film industry diverted resources to developing the Taiwanese market.
Hong Kong in the 1960s was a time of tremendous economic growth and social evolution. The baby-boomer generation created a demand for more youthful and urban film culture. Both Mandarin and Cantonese films tried to cater to this young audience by making chic, cosmopolitan drama, lively youth films packed with song and dance, and even socially conscious works that tackled the problems of rebellious or delinquent youth. On another front, a revolution was taking place in colour wuxia films, thanks to trailblazers like King Hu and Chang Cheh. Their bold recreation of the martial arts world, their innovations in action choreography and unique aesthetics of violence took the genre to dizzying heights of artistic achievement and (sometimes) commercial success. Contemporary detective and action films also thrived as variations on this genre.
Hong Kong Filmography Volume VI (1965-1969) has compiled a database of some 900 titles of both fiction and documentary films made between 1965 and 1969. 452 pages thick with 16 colour poster stills. Hardcover. Published in 2007, priced at HK$265. (Edited by Kwok Ching-ling)
ISBN 962-8050-42-7
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Hong
Kong Filmography Volume V
(1960-1964) (In Chinese)
Cantonese cinema reaped a bumper harvest during the early and mid-1960s,
thriving on the advent of technological and cinematic advances of
the earlier decades. Yet the growing market dominance enjoyed by the
Mandarin cinema under the big studio system foreshadowed the dramatic
decline of the Cantonese cinema towards the end of the decade.
As for Cantonese cinema, Kong Ngee actively sought territorial expansion
in the mid-1960s and set up a string of subsidiaries. Chun Kim, a
key player at the Union, joined Kong Ngee to become its flag-bearer.
The transition the cinema was undergoing at that time coincided with
the transfer of directorial talents necessary for the continuation
of the lineage. Lan Kwong Film Company, the latest contender, launched
production in 1959. Its family melodramas left the terrain of the
extended feudal family to address issues pertinent to the nuclear
family and hit a nerve with contemporary audiences.
Period films took a liking to the Cantonese opera and martial arts
genres. Cantonese opera films attempted to reinvigorate itself by
injecting lustrous stage elements such as the 'hair-flinging' and
'round walking' techniques into war-period features. The popularity
that the Wong Fei-hung series enjoyed in the 1950s when an overwhelming
60 titles were produced was drawn to a close. Adaptations of 'new
style' martial arts novels quickly filled the void.
The Rivalry between Shaw Bros and MP & GI raised the standard
of Mandarin filmmaking to an unprecedented height. However, independent
studios were worst hit by the onslaught of the Big Two. The era also
witnessed the rise to fame of Li Han-hsiang, whose influence towered
over the development of Mandarin cinema with the addition of the grandeur
palace epics Yang Kwei-fei (The Magnificent Concubine)
(1962) and Empress Wu Tse-tien (1963) to the Shaw repertoire,
and his unique language of aesthetic crafted in the huangmei diao
opera film, The Love Eterne (1962). Great Wall and Feng Huang,
two left-wing studios, mounted a formidable defence. Unswayed by the
huangmei diao craze, the studios released a string of Yue
opera films, including Bride Hunter (1961) and The Princess
Falls in Love (1962), and featured its star attraction Hsia Moon
whose singing was dubbed by a mainland prima donna.
Hong Kong Filmography Volume V documents over 1,200 fiction
films and documentaries produced between 1960 and 1964. 560 pages thick
with 24 colour poster stills. Hardcover. Published in 2005, priced at HK$225.
(Edited by Kwok Ching-ling)
ISBN 962-8050-31-1
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Hong
Kong Filmography Volume IV
(1953-1959)
The 1950s was a prosperous period in the history of Hong Kong cinema,
giving rise to flourishing film genres, techniques, and highly skilled
personnel. The audience was dazzled by rich doses of melodramatic
realist, martial arts, comedy, and Cantonese opera films, to name
but a few. For the first time, the monotonous black and white screen
was livening up by the emergence of 3-D, Scope and colour films. The
rise of dialect films represented an interest in expanding the root
and culture of overseas Chinese, a sentiment shared by the filmmakers
and audience alike.
Hong Kong Filmography Volume IV documents the 1,694 fiction
films and documentaries produced between 1953 and 1959. Published
in 2003 in separate Chinese (540 pages) and English (696 pages) editions.
Hardcover. Priced at HK$210 each. (Edited by Kwok Ching-ling)
Chinese edition: ISBN 962-8050-18-4
English edition: ISBN 962-8050-19-2
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Hong
Kong Filmography Volume III (1950-1952)
As a legatee of the traditions of the 1940s, Hong Kong cinema in the
1950s continued to produce fantasy martial arts pictures, melodramas
and comedies. These genres remained the mainstays of the industry.
Not a few were adapted from so-called 'airwave novels'. Among the
most distinguished productions of the period were Dawn Must Come
(aka Tears of the Pearl River), Kaleidoscope, The
Dividing Wall, and Modern Red Chamber Dream.
The 761-page Hong Kong Filmography Vol III (1950-1952) records
the details of over 580 films from 1950 to 1952. Bilingual in Chinese
and English. Published in 2000. Hardcover. Priced at HK$223. (Edited
by Winnie Fu)
ISBN 962-8050-80-7
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Hong
Kong Filmography Volume II (1942-1949)
The Hong Kong Filmography Volume II (1942-1949) records over
430 fiction films and documentaries in its 559-page edition. Bilingual
in Chinese and English. Published in 1998. Hardcover. Priced at HK$235.
Currently out of stock. (Edited by Winnie Fu)
ISBN 962-8050-05-2
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Hong
Kong Filmography Volume I (1913-1941)
The Hong Kong Filmography Volume I (1913-1941) records some
600 pre-war local productions in its 696-page edition. Bilingual in
Chinese and English. Published in 1997. Hardcover. Priced at HK$235.
Currently out of stock. (Edited by Mary Wong).
ISBN 962-8050-03-6
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Li Han-hsiang, Storyteller
Sometimes enfant terrible, sometimes a hack of the Chinese speaking cinema, director Li Han-hsiang started and consolidated his filmmaking career in Hong Kong, self-exiled to Taiwan in the prime of his career in the mid-60s, returned to the ex-colony in the 70s, then steered majestically into the mainland with the liberalizing of Chinese economy in the 80s. Li Han-hsiang, Storyteller comprises of two sections: essays re-evaluating his rich, versatile and often controversial career, and revealing interviews of both Li himself and his collaborators. Published in 2007 in separate Chinese and English editions. Priced at HK$128 each. (Edited by Wong Ain-ling)
Chinese edition: ISBN 962-8050-40-0
English edition: ISBN 962-8050-41-9
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Frame After Frame
- A Retrospective on Hong Kong Animation
From her humble infancy in advertisings and film opening credits, through short films, and onto features, the strenuous path of Hong Kong 's animation is no less than a small miracle. Frame after Frame will take you on a colourful journey through the fields of animations in advertising, independent productions, television and feature films. The 160-page catalogue carries a number of essays and interviews. Printed in full colour, bilingual in Chinese and English, priced at HK$120. (Edited by Winnie Fu)
ISBN 962-8050-39-7
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The Glorious Modernity of Kong Ngee
From 1955 to 1968, Kong Ngee Motion Picture Production Co made well over a hundred films, mostly urban and modern, with genres ranging from romantic comedies, melodramas, to detective films and psychological thrillers.
The monograph includes two major sections: essays by film scholars, critics and oral history interviews with Kong Ngee personalities such as Ho Kian-ngiap (of the Ho family), Chan Man (producer/director), Lung Kong (director), Tam Ning and Woo Mei-ping (scriptwriter), Patrick Tse Yin (actor), Patsy Kar Ling (actress), Nam Hung (actress). Published in 2006. Priced at HK$150 for English edition; HK$100 for Chinese edition. (Edited by Wong Ain-ling)
ISBN 962-8050-38-9
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@location
Ever since the movie camera moved out of the studio into the city space, film directors, production managers, cinematographers and art directors had realised the challenge of using public space. This book is going to take you on a ride to experience stories behind interesting film locations, introducing us to the legendary figures and the cinematic miracles they helped realize. 188 pages printed in colour. Bilingual in Chinese and English. Published in 2006. Priced at HK$125. (Edited by Winnie Fu)
ISBN 962-8050-36-2
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The
Hong Kong - Guangdong Film Connection
Hong Kong has always maintained a close-knit cultural, economical
and political tie with its native province of Guangdong throughout
the colonial era to the present. The colony was embroiled in cross-border
turmoil such as the massive strike in the 1920s and the eight-year
anti-Japanese war. Cantonese operatic arts and influential players,
folk legends of Guangdong heroes and household names Wong Fei-hung
and Chan Mung-kat, and the Lingnan culture thrived in Cantonese cinema
during the post-war years, sending the creative spark flying in the
territory.
The book is the first insightful retrospect of the dynamic and profound
relationship between Hong Kong and Guangdong cinemas. Renowned scholar
Li Yizhuang, cultural worker Reeve Wong and film critics Po Fung and
Koo Siu-sun, among other contributors, offer their accounts of the
people and places at this historical juncture that helped shape and
redefine the cinemas of the two cities. Published in March 2005 in
separate Chinese and English editions. Priced at HK$110 for English edition; HK$75 for Chinese edition. (Edited
by Wong Ain-ling)
Chinese edition: ISBN 962-8050-32-X
English edition: ISBN 962-8050-33-8
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A
Yam Kim-fai Reader (In Chinese)
Hailed affectionately as the 'Opera Fans' Lover', Yam Kim-fai has
made more than 300 films in her illustrious career, and has been a
household name in Cantonese speaking communities across the world
since the early 1950s. This long-overdue book, the first of its kind
dedicated to the talent artist, includes a collection of articles
written by well known critics and scholars, and an interview with
Yam's partner Pak Suet-sin. Cartoonist Honsanawong and French expatriate
painter Christopher Cheung wielded brushes and ink to pay their tributes.
A complete film list is appended. Published in November 2004. Priced
at HK$120. (Edited by Michael Lam)
ISBN 962-8050-30-3
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'Fame
Flame Frame - Jupiter Wong Foto Exhibition' Catalogue
Jupiter Wong's photos not only record a film and its shooting location,
but also embed Jupiter's mood at that time and space. Once he got
a camera in hand, Jupiter would think of himself as a film director
and his pictures are actually his own directorial creation. Be it
a director, a star, a crewmember or a stunt man in his pictures, there
is always something happening around his focus point. The faces captured
by him - be they melancholic, passionate, worried, excited, happy
or sad, there is always a story to tell.
The Hong Kong Film Archive has finely selected over 300 of Jupiter's
photo and compiled them into a publication titled 'Fame Flame Frame
- Jupiter Wong Foto Exhibition', which go in line with an exhibition
organised at the HK Film Archive Exhibition Hall this September and
October. Published in September 2004. Bilingual in Chinese and English.
Priced at HK$90, the 304-page photo catalogue covered four sections
on film stills, star portraits, behind-the-scene images and black
and white photos. (Edited by Winnie Fu)
ISBN 962-8050-29-X
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The
Cinema of Lee Sun-fung
Lee Sun-fung was one of the emblematic directors that predominated
Cantonese cinema of the 50s and 60s. A literati himself, he not only
directed, but also scripted many of his films, with quite a few adaptations
from Western and Chinese classics. Particularly valuable is the director's
notes he left behind that give us a glimpse of how filmmakers of his
time deliberate on filmmaking and attempt to strike a balance between
the market and ideal. Published in April 2004 in separate Chinese
and English editions. Priced at HK$100 each. (Edited by Wong Ain-ling)
Chinese edition: ISBN 962-8050-27-3
English edition: ISBN 962-8050-28-1
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Chang
Cheh: A Memoir
(In English)
The late director Chang Cheh (1924-2002) was a key advocator of the
'new century of wuxia' movement in the Hong Kong cinema.
In the Memoir, Chang unveils to the readers his rarely known
childhood, his aspired involvement in politics in his earlier years,
and the hit trends he brought about in momentous phases of the Hong
Kong cinema. The book (260 pages) contains precious stills and photos
of the director at work, a complete filmography, and a preface written
by director John Woo and renowned film critic Sek Kei as a tribute
to the late master. (Published in January 2004; HK$80)
ISBN 962-8050-26-5
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Chang
Cheh: Memoirs and Criticism
(In Chinese)
Chang Cheh (1924-2002) started out penning film criticisms for newspapers
and his astute writing paved the way for his prolific and glorious
career working as a screenwriter-cum-director at Shaws, one of the
leading studios at the time.
In the 'Memoirs' section of the book, Chang unveils to the readers
his rarely known childhood, his aspired involvement in politics in
his earlier years, and the hit trends he brought about in momentous
phases of the Hong Kong cinema. The 'Criticism' section is a comprehension
collection of the over 100 reviews and criticisms on cinemas of the
east and west Chang contributed to the press during the 1950s and
1960s. His keen power of observation was well reciprocated in his
later directorial works.
Chang Cheh: Memoirs and Criticism (368 pages) contains precious
stills and photos of the director at work, a complete filmography,
and a preface written by director John Woo and renowned film critic
Sek Kei as a tribute to the late master. (Published in October 2002;
HK$100)
ISBN 962-8050-17-6
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Cantonese
Opera Film Retrospective (Revised Edition, 2003)
Revised edition of the out-of-print retrospective catalogue published
in conjunction with the 11th Hong Kong International Film Festival
in 1987: critical essays on the genres, history and development of
Cantonese opera and the ties forged with the cinema, together with
newly edited profiles of Hong Kong filmmakers, programme notes and
a comprehensive filmography of Cantonese films released between 1946
and 1959. 212 pages. Bilingual in Chinese and English. HK$60. (Edited
by Li Cheuk-to; collated by May Ng)
ISBN 962-8050-25-7
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The
Diary of Lai Man-wai
Lai Man-wai (1893-1953) had been a film pioneer in Hong Kong and a
leading reformist for Chinese cinema. The Diary of Lai Man-wai
not only chronicles the life of Lai and his family, but also an invaluable
record of Chinese history and film history, spanning from the early
twentieth century to the 1950s. Part of this diary was first published
in the book Lai Man-wai: The Man, The Time, Cinema, now revised
and expanded by Lai Shek. The explanatory notes have been added within
the context by the collator and editors. Contains 64 pages, published
in September 2003, priced at HK$28. Bilingual in Chinese and English.
(Collated by Lai Sek)
ISBN 962-8050-24-9
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The Psychic Labyrinth of F.W. Murnau
Accompanying the complete retrospective on German expressionist film
master F.W. Murnau, a brochure carrying the same title has been published.
Besides detailing the screening programmes and providing highlights
on the exhibition, a number of newly compiled thematic essays were
included which make this 64-page brochure a pretty comprehensive record
on Murnau once and for all. Bilingual in Chinese and English. Priced
at HK$40. (Edited by Winnie Fu)
ISBN 962-8050-23-0
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The
Shaw Screen: A Preliminary Study
Shaw films are known for their rich doses of fantasy and strong flavour
of Chinese culture. The paradoxes and imagination evident in their
films were shared by a modern Hong Kong society taking shape throughout
the decades. But there's one motif threading their productions- 'entertainment
first'. The book explores the working of film genres, the studio and
star systems inside the Shaw film empire and offers a window to re-examining
the interaction between films and the time. In separate Chinese and
English editions. Published in April 2003. Priced at HK$130 each.
(Edited by Wong Ain-ling)
Chinese edition: ISBN 962-8050-20-6
English edition: ISBN 962-8050-21-4
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'Shaws
Galaxy of Stars' Exhibition Catalogue
Shaw Brothers' film productions spread over a few decades and are
rich in all namable genres. One of Shaw's greatest contributions is
their efforts in grooming a whole lot of filmic talents, which will
be the focus of the exhibition. The accompanying exhibition catalogue
provides a brief introduction on Shaw's talent training schemes, followed
by a fine selection of star photos covering over 70 Shaw's stars,
including our evergreen beauty Li Lihua, the charming Linda Lin Dai,
classic beauty Betty Loh Ti, women killer Yan Jun, Chao Lei, Peter
Chen Ho and romantic hero Jimmy Wang Yu, just to name a few. Besides,
there are a full-colour graphic compilation of the galaxy of stars
printed in panoramic scale plus a special section on 'Top Star of
Shaws Cantonese Unit' Lam Fung. Contains 52 pages, published in April
2003, priced at HK$35. Currently out of stock. (Edited by Law Kar and Stephanie Ng)
ISBN 962-8050-22-2
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The
Cathay Story
The productions of Cathay / MP & GI have themselves become a myth
of Hong Kong cinema. What accounts for its radiance and elegance?
And why was the audience broken-hearted to see its decline? The
Cathay Story may offer a little clue.... 400 page thick with 16
colour pages. Bilingual in Chinese and English. Published in 2002,
priced at HK$130. Currently out of stock. (Edited by Wong Ain-ling)
ISBN 962-8050-16-8
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The
Swordsman and His Jiang Hu: Tsui Hark and Hong Kong Film
The book explores the intricate relationships between the legendary
Tsui Hark and Hong Kong cinema, through accounts by filmmakers and
Tsui's own memoirs. 293 page thick with 20 colour pages. Bilingual
in Chinese and English. Published in 2002, priced at HK$ 100. (Edited
by Sam Ho and Ho Wai-leng)
ISBN 962-8050-15-X
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i-GENERATIONs:
Independent, Experimental and Alternative Creations from the 60s to
Now
Compiling articles, including Roger Garcia (S N Ko)'s essay originally
published in Cinemaya - The Asian Film Quarterly in 1995, by
insiders to review the development of independent shorts in Hong Kong.
Bilingual in Chinese and English. Published in 2001, priced at HK$25.
(Edited by May Fung)
ISBN 962-8050-13-3
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A
Century of Chinese Cinema:
Look Back in Glory
Analytical essays of 25 classic Chinese films from the last century,
written by notable film critics. Bilingual in Chinese and English.
Published in 2001, priced at HK$45. (Edited by Hong Kong Film Critics
Society)
ISBN 962-8050-11-7
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Hong
Kong Cinema -
From Handicraft to High Tech
The development of the arts and technical aspects of the Hong Kong
cinema, from the earliest handicraft to the present computer generated
effects. Bilingual in Chinese and English. Published in 2001, priced
at HK$23. (Edited by Law Kar & Winnie Fu)
ISBN 962-8050-12-5
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Living
in Hong Kong - the 50s and 60s
(in Chinese)
A brief introduction of life in Hong Kong in the 50s and 60s. Published
in 2001, priced at HK$25. (Edited by Law Kar & Stephanie Ng)
ISBN 962-8050-10-9
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Hong
Kong on the Silver Screen
(Catalogue & VCD)
The history of Hong Kong through the images on film. Bilingual in
Chinese and English. Published in 2001, priced at HK$30. (Edited by
Jacob Wong & Ho Wai-leng). Currently out of stock.
ISBN 962-8050-09-5
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The
Making of Martial Arts Films - As Told by Filmmakers and Stars
Based on our 'Oral History' recordings, the development of Hong Kong
martial arts films is revisited. Interviews recollecting their past
include prominent film directors, stars and martial arts directors.
Bilingual in Chinese and English. Published in 1999, priced at HK$60. Currently out of stock. (Edited by Winnie Fu)
ISBN 962-8050-06-0
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Hong
Kong Film Archive Treasures: An Exhibition
The 100-page catalogue with over a hundred colour pictures and detailed
descriptions featuring the 1998 Archive Exhibition. Bilingual in Chinese
and English. Published in 1998, priced at HK$60. (Edited
by Winnie Fu)
ISBN
962-8050-04-4
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50
Years of the Hong Kong Film Production and Distribution Industries:
An Exhibition (1947-97)
The catalogue focusing on Hong Kong film production and distribution
over fifty years. Bilingual in Chinese and English. Published in 1997,
priced at HK$53. (Edited by Mary Wong). Currently out of stock.
ISBN 962-8050-02-8
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Superstars
of Cantonese Movies of the Sixties Exhibition Catalogue
The catalogue covering 27 actors and actresses of the 1960s, including
Patrick Tse, Chan Po-chu, Josephine Siao and Lui Kei, etc. Bilingual
in Chinese and English. Published in 1996. Currently out of stock.
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The
Early Days of Hong Kong Cinema: An Exhibition (1896-1950)
The catalogue briefly introducing the development of the Hong Kong
cinema from 1896 to 1950. Bilingual in Chinese and English. Published
in 1995. Currently out of stock.
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